A speaker on a 6’ stand producing 124dB, an output level that exposes the front rows to potential hearing loss, has dropped to below desirable levels (<100db) only 50′ from the stage. That’s just the physics of sound over distance.
By firing 130db well over the heads of the front rows, a speaker on a 12′ stand can produce comfortable sound levels up close while throwing 100db all the way to 100 feet away. Thus the production adage, “height is might.”
If you are currently booking a PA on typical speaker stands, I can SIGNIFICANTLY improve your audience experience, and potentially for LESS than you are spending now.
If you are currently booking a line array, and it is for engaged audiences (dancers & onlookers) of fifteen hundred or fewer, I deliver the power and throw you need at a fraction of the cost of most line array systems.
If your engaged audiences are over 2000 people, my sound system isn’t the right fit for you. That’s the compromise… I can’t scale this system for any need. It’s engineered to fill a niche, and that isn’t it.
My three-way custom EAW tops provide a line array experience for the first 100’ of audience (plenty of space for 1500 people), but without the time and expense of trussing, or even lifts.
Because I don’t have the overhead of a large production company, I can pay myself and my crews a fair wage and still save you money, even if you’re already currently booking a budget system. I have a very compact and easy to deploy PA, scalable to address engaged audiences of two hundred or fifteen-hundred, and the tools to support bands of any size. And that’s it. No box trucks. No warehouse rent. No large build crews. Just great sound, at a great price.